![]() ![]() ![]() Call and answer also happens between vocalists and. Passing chords in the lower registers work particualy well after blues licks and lines in the right hand. chords being implied by the strands of sound that make up the root motion. We use dominat passing chords to create energy and forward motion which drives the tune forward. The melody also lends itself to pasing chords. To create a full sounding arrangement, we then balance this with use of bass notes in the lower registers of the piano. Foreigner - Feels Like The First Time (Official Music Video) 2. F A Dm7 C Dm7 B Bb Georgia, oh, Georgia, the whole day through. ![]() Geor-gia, Geor-gia, Bbm Db7/Ab Gb Gdim7 The whole day through Db Bbm7 Just an old sweet song Ebm7 Ab7 Faug Bb7 Ebaug Ab7 Keeps Geor-gia on my mind - Db F7 2. Bruno Major - Nothing (Lyric & Chord Video) 11K jam sessions Georgia On My Mind Song Key is highlighted - Transpose to any other key Db Db7 Bb Bb Eb9 Ab7 Db Db Ab75 Intro: 4/4 - Db F7 1. Throughout the form we incorporate bluesy fills and licks in the upper registers. Michael Bolton - Georgia On My Mind 1.5K jam sessions We use all 3 of these option to create a varied arrangement. There is no strumming pattern for this song yet. The minor to major movement can be voiced at the top of the chord, in the middle, or at the bottom as a bass line. If you dont want to use a capo transpose +5 steps. Fmaj7 F A C E (b3 5 b7 9 of Dm7) You can see these being used with the Fmaj7 over Dm7, Cmaj7 over Am7, and Bm7b5 over G7 in the study below. GEORGIA ON MY MIND As recorded by Tim Hardin (From the 1971 Album BIRD ON A WIRE) Capo 5th fret. The minor line cliche appears multiple times in the form and so we explore the different ways we can navigate through this common progression. To build a 3 to 9 chord, you play one chord (such as Fmaj7) over the underlying chord (Dm7) to create the interval pattern 3-5-7-9. To start this tutorial, we play through the form again adding some bigger, more interesting voicings and applying more advanced harmony including altered voicings and upper structure triads. In this lesson we take it a step further by applying this scale to the tune Georgia On My Mind. In part 1 of Georgia, we introduced the concept of the major blues scale and the extended blues scale. ![]()
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